Shaping a Short Narrative · seed 1 · A4, ink-friendly. The answer key prints on its own page for grown-ups.
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Shaping a one-page story

English · Writing Composition · ages 15-16
Name ______________________   Date ____________
  1. The story centres on whether Eli will admit breaking a window. Which opening introduces that situation?

    • The town had grown over many centuries.
    • Eli had cousins living in several distant towns.
    • Eli hid the ball as the owner came outside.
  2. For this one-page exercise, which plan keeps the story focused on one turning point?

    • A disagreement leads to a decision to apologise
    • Three separate mysteries each begin and end
    • A family history follows several generations
  3. For this exercise, an ending can show a character's change through a final action without explaining the lesson.

    Circle one:   True   False

  4. A one-page story follows Ren deciding to return a borrowed jacket. Which passage can be cut without losing that story's context or result?

    • An unrelated account of a neighbour's holiday
    • Ren's promise to return the jacket
    • The final exchange when Ren gives the jacket back
  5. A story opens: 'The alarm woke Mara. Smoke was coming under her door.' The story follows her escape. Which revision judgement fits?

    • Cut it: waking up cannot start a relevant story.
    • Keep it: the escape problem has begun
    • Expand it: describe her routine before the smoke.
  6. Replacing 'Lena felt guilty' with 'Lena felt very, very guilty' shows a new action or decision.

    Circle one:   True   False

  7. A story opens with Jo's key failing in a lock. The lock changed yesterday, and readers need that fact to follow Jo's next choice. Where should the background go?

    • In a long building history before Jo arrives
    • Beside the failed attempt, before Jo's next choice
    • After the ending, once Jo's choice is over
  8. Kai has decided to let a former rival join his project. Which ending shows the result without stating a moral?

    • Kai learned a lesson about accepting other people.
    • Kai remembered what the day's events had taught him.
    • Kai pulled another chair up to the workbench.
LightMySky · lightmysky.comW1-mt_IqahcVf6dV-s1

Answer key

For grown-ups. Fold this page away before handing over the rest.

Shaping a one-page story W1-mt_IqahcVf6dV-s1

  1. Eli hid the ball as the owner came outside. · Hiding the ball introduces Eli's problem and suggests a choice ahead. The other openings give background without connecting it to the broken window.
  2. A disagreement leads to a decision to apologise · The disagreement and apology belong to one connected change. The other plans spread this short exercise across several separate developments.
  3. True · A final action can show the result of the turning point and leave readers to infer its meaning.
  4. An unrelated account of a neighbour's holiday · The unrelated holiday account neither prepares for Ren's decision nor shows its result. The promise and return both support the central turn.
  5. Keep it: the escape problem has begun · Waking up begins the relevant situation here. The smoke introduces the escape problem, so the opening is not an unrelated routine.
  6. False · The revision strengthens a stated feeling but adds no action or decision. A relevant act or spoken line could show what Lena does because of that feeling.
  7. Beside the failed attempt, before Jo's next choice · The lock change explains the failed attempt and the choice that follows. Place this needed background beside the present problem.
  8. Kai pulled another chair up to the workbench. · Making space at the workbench shows Kai acting on his decision. The other endings explain or refer to the lesson instead.
Worksheet · LightMySky