Writing Character & Dialogue · seed 1 · A4, ink-friendly. The answer key prints on its own page for grown-ups.
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Writing Character and Dialogue

English · Writing Composition · ages 11-14
Name ______________________   Date ____________
  1. Which line uses both dialogue and action to suggest a character's anger?

    • She felt angry about the visit and thought about it all evening.
    • 'Leave my room,' she snapped, pushing the door shut with a thud.
    • She had many feelings about the visit, but did not describe any.
  2. You want an opening that orients readers and raises a question for them to follow. Which plan meets both aims?

    • Give setting and viewpoint clues, then introduce a problem
    • List each character's full name, age and favourite hobbies
    • Explain the ending, leaving place and narrator unexplained
  3. For an ending meant to be reflective, repeating the final action is enough even if it gives no sense of what the events mean to the character.

    Circle one:   True   False

  4. The narrator writes: I hid the map before anyone saw me. These words are narration, not spoken dialogue. Which point of view do they use?

    • Third person
    • First person
    • Second person
  5. You want an escape scene to feel quick and urgent. Which approach best supports that aim?

    • Long descriptions of the street as the runner passes through
    • Quiet thoughts about the runner's plans for tomorrow morning
    • Brief sentences about the runner's next few urgent movements
  6. Which detail helps readers imagine how Tom's coat feels against his skin?

    • The coat was bright red, with four pale buttons down its front.
    • The coat made a rustling sound each time Tom bent his left arm.
    • The coat's rough wool scratched Tom's wrists whenever he moved.
  7. Ben's hero thought courage meant doing everything alone. Friends help her defeat a dragon. Which ending reflects on this experience?

    • She thanked her friends, knowing now that accepting help could be brave.
    • She searched the cave and counted every coin in the dragon's huge chest.
    • She walked through the valley and described stones along the rocky path.
  8. Mia's characters are waiting outside a locked shed. She wants dialogue that gives them a way inside and leads to an action. Which line meets that aim?

    • 'It's chilly out here,' said Jo, watching clouds float.
    • 'I have the spare key,' said Jo. 'Let's open the door.'
    • 'The shed is green,' said Jo, studying its outer walls.
LightMySky · lightmysky.comW1-mt_BLzNxSSdWu-s1

Answer key

For grown-ups. Fold this page away before handing over the rest.

Writing Character and Dialogue W1-mt_BLzNxSSdWu-s1

  1. 'Leave my room,' she snapped, pushing the door shut with a thud. · The command, sharp speech and forceful door movement together suggest anger. The other lines name feelings or leave them unspecified.
  2. Give setting and viewpoint clues, then introduce a problem · Setting and viewpoint clues orient readers. Introducing a problem gives them a question to follow.
  3. False · A reflective ending connects events to their meaning for a character. Repeating an action without that meaning does not meet the stated aim.
  4. First person · I and me refer to the narrator taking part in the events. This is first-person narration.
  5. Brief sentences about the runner's next few urgent movements · Brief sentences focused on urgent movements can make the escape feel quick. Extended description or thoughts would pause the immediate action.
  6. The coat's rough wool scratched Tom's wrists whenever he moved. · Rough wool scratching Tom's wrists describes touch. The other details describe sight or sound.
  7. She thanked her friends, knowing now that accepting help could be brave. · The hero's new understanding grows from accepting her friends' help. Searching the cave or describing the path adds action or detail without that reflection.
  8. 'I have the spare key,' said Jo. 'Let's open the door.' · Jo offers a way past the locked door and proposes using it. This dialogue leads to action instead of only describing the surroundings.
Worksheet · LightMySky