Art Traditions Beyond Europe · seed 1 · A4, ink-friendly. The answer key prints on its own page for grown-ups.

Art with its own rules

Arts & Music · Visual Art · ages 14-16
Name ______________________   Date ____________
  1. A Han money tree was placed in a tomb to give the dead wealth in the afterlife.

    Circle one:   True   False

  2. What marks a Japanese ukiyo-e print?

    • Flat bright colour with strong outlines
    • Deep shadow with strict perspective
    • Grey pencil shading only
  3. What did Cassatt borrow for The Coiffure?

    • The faces of Japanese actors
    • A whole way of seeing: flat colour, pattern, tilted view
    • Money to fund her studio
  4. What is sancai on the tomb camel?

    • Three coins tied to the reins
    • Three-colour glaze that runs and blends in firing
    • Three layers of gold leaf
  5. Why does Matisse Goldfish glow instead of looking photographic?

    • He had no orange paint skills
    • The fish moved too fast to paint
    • He cared how colour and pattern feel, not exact copying
  6. Why does judging the money tree by lifelike looks miss the point?

    • Its value lies in symbols and spiritual purpose
    • Bronze cannot look lifelike
    • Tombs were always dark inside
  7. A visitor laughs at a folding screen that paints Portuguese sailors as strange. What should they learn from it?

    • Screens are weaker than oil canvas
    • Sailors disliked being painted
    • Every tradition sees itself as the standard
  8. A learner calls non-European work primitive as a plain fact. What is the error?

    • Old work is always simple
    • It is a judgement, not a description, and it reveals the judger
    • Museums never make mistakes
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Answer key

For grown-ups. Fold this page away before handing over the rest.

Art with its own rules W1-mt_hg9B9DnGt8-s1

  1. True · Coin hung bronze served the soul in paradise.
  2. Flat bright colour with strong outlines · Flat colour and bold lines replace shadow and perspective.
  3. A whole way of seeing: flat colour, pattern, tilted view · She took the seeing, not the subject matter.
  4. Three-colour glaze that runs and blends in firing · Sancai means three colours, poured to blend in the kiln.
  5. He cared how colour and pattern feel, not exact copying · Feeling through colour beat copying through perspective.
  6. Its value lies in symbols and spiritual purpose · It was built to serve the dead, not to fool the eye.
  7. Every tradition sees itself as the standard · Strangeness sits in the viewer eye, not the work.
  8. It is a judgement, not a description, and it reveals the judger · Primitive judges the judger, never the judged.
Worksheet · LightMySky