Narrative Perspective and Unreliable Narrators · seed 1 · A4, ink-friendly. The answer key prints on its own page for grown-ups.

Whose eyes are we seeing through?

English · Reading Comprehension · ages 11-14
Name ______________________   Date ____________
  1. Which description matches an omniscient narrator's possible access to private thoughts?

    • Access to just one character's private thoughts
    • Access to any character's private thoughts
    • Access to actions but never to private thoughts
  2. Using I for themselves automatically gives a narrator direct access to every other character's private thoughts.

    Circle one:   True   False

  3. In one scene, an outside narrator directly reports Mina's unspoken wish, Dad's secret fear and the dog's dream. Which perspective permits this access?

    • First person
    • Third person omniscient
    • Third person limited
  4. The narrator's own words, outside dialogue, are: "I opened the door and my heart sank." What narrative perspective is this?

    • First person
    • Third person limited
    • Third person omniscient
  5. A third-person limited scene directly shares only Maya's thoughts. What can it show about her brother without entering his mind?

    • His words and actions, but not his unspoken thoughts
    • His unspoken worries, but not his visible actions
    • His private memories, but not the words he says aloud
  6. Which passage uses third-person wording and directly shares only one character's private thoughts in the passage shown?

    • I reached the gate and feared I had lost my ticket.
    • Thea opened the letter and hoped it held good news.
    • Jules hoped to leave; his sister secretly feared his return.
  7. Nia narrates: "I watched Theo pocket a note. He would not show me, and I never learned its contents." Which information is outside her stated knowledge?

    • The action she watched Theo perform
    • The words written inside the hidden note
    • Her own thoughts during the encounter
  8. Grandpa Jo remembers catching a fish bigger than the boat. A dated photo of that same catch shows a fish shorter than his forearm. He sincerely believes his memory. Which description fits?

    • A narrator who knowingly invents the size
    • A mistaken narrator who believes his memory
    • A reliable narrator who reports the photo
  9. Leo narrates a realistic story: "I waved at Mom. Across the street, she wondered whether I had forgotten her birthday." Which source of knowledge needs explaining?

    • How he knew that he had waved at Mom
    • How he knew Mom was across the street
    • How he learned about Mom's private worry
  10. A bursting door surprises readers and the hero together. Elsewhere, readers see his sister hide behind a door while he searches other rooms. Which scene establishes dramatic irony?

    • The bursting door: both sides discover it together.
    • Both scenes: each involves an unexpected discovery.
    • The hidden sister: readers know what the hero does not.
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Answer key

For grown-ups. Fold this page away before handing over the rest.

Whose eyes are we seeing through? W1-mt_x2sWtfTeYT-s1

  1. Access to any character's private thoughts · Omniscient narration can share any character's thoughts. Possible access is different from revealing every thought.
  2. False · A pronoun identifies the teller's perspective; it does not grant access to minds. A teller may learn about others' thoughts through reports or make inferences.
  3. Third person omniscient · The scene enters several minds directly. Omniscient narration permits this; visible actions alone would not demonstrate it.
  4. First person · The teller uses I for themselves. This identifies first-person narration, and the sentence reports the teller's own feeling.
  5. His words and actions, but not his unspoken thoughts · Words and actions can be described without directly entering the brother's mind. Unspoken worries and private memories require different access.
  6. Thea opened the letter and hoped it held good news. · Thea's passage uses her name and shares her hope. The I passage is first person; the Jules passage directly enters two minds.
  7. The words written inside the hidden note · Nia explicitly never learned the contents. Seeing Theo pocket a note does not reveal its words.
  8. A mistaken narrator who believes his memory · The photograph concerns the same catch and conflicts with his memory. His stated sincere belief supports mistaken recollection rather than deliberate deception.
  9. How he learned about Mom's private worry · Leo can report his own action and what he sees. His knowledge of Mom's private worry needs a source, such as a later conversation.
  10. The hidden sister: readers know what the hero does not. · Readers know the sister's hiding place while the hero does not. Shared surprise at the bursting door does not itself establish dramatic irony.
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